在晉江市掌中木偶藝術(shù)保護(hù)傳承中心，陳代宮（左）向法希瑪·巴羅奇展示掌中木偶戲（12月11日攝）。法希瑪·巴羅奇是伊朗亞瑟·塔馬姆劇團(tuán)的一名木偶表演藝術(shù)家。連日來(lái)，她所在的劇團(tuán)和其他11個(gè)國(guó)家的木偶劇團(tuán)受邀走進(jìn)海上絲綢之路起點(diǎn)城市泉州，在劇場(chǎng)、非遺館、鄉(xiāng)村文化廣場(chǎng)等地為當(dāng)?shù)厝罕娺M(jìn)行交流演出。在福建泉州晉江市掌中木偶藝術(shù)保護(hù)傳承中心，法?，敗ぐ土_奇與晉江市掌中木偶藝術(shù)保護(hù)傳承中心演出隊(duì)隊(duì)長(zhǎng)、市級(jí)非遺傳承人陳代宮一見(jiàn)如故，兩名中外藝術(shù)家臺(tái)上臺(tái)下交流互鑒，相互學(xué)習(xí)表演技藝。[新華社記者 魏培全 攝]
Iranian puppeteer Fahimeh Barotchi (R) reacts as Chen Daigong, puppeteer and inheritor of a local Chinese puppet performing art, demonstrates at a puppet art preservation center in Jinjiang of Quanzhou City, southeast China's Fujian Province, Dec. 11, 2023. Puppet artists from 12 countries are invited to Quanzhou, a city widely believed to be the starting point of the ancient Maritime Silk Road, to give puppet performances and communicate with local puppet artists. (Xinhua/Wei Peiquan)
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