Aiming to present a myriad of different paper-cutting styles, the
Third International Eisteddfod of Paper Cutting Arts has begun
collecting works and essays from amateurs of the craft from around
the world ahead of its opening in August in
Datong,
Shanxi Province.?
Professor Chen Jing, the expo's executive director and chief of
the Nanjing University Folk Art Department, said that the art of
paper-cutting had emanated from China to gain footholds in other
countries such as the US and Japan. Its international popularity
has soared with over 500 foreign students now having come to study
the art form under Prof. Chen.
To ensure its continuing status, the third expo will present
works from around the world. Each artistic entry must be entirely
original, while academic contributions must stand out by presenting
a fresh opinion. The collecting will end on June 10, 2007, before
which time submissions will be continuously accepted.?
The two previous editions of the Eisteddfod were held in Nanjing
in 2004 and in Hohhot in 2006, with the third set to be sponsored
by the Chinese People's Association for Friendship with Foreign
Countries.
As a very distinctive example of Chinese handicrafts,
paper-cutting can trace its origins back to the 6th century. It was
originally used by women who sought to paste golden and silver foil
cuttings in their hair during temple proceedings, while men also
used during sacred rituals. They then moved to become a popular
decoration for gates and windows during festivals and they remain
so today, particularly in rural settings.
Scissors and an engraving knife are traditionally used as
cutting implements in the art. The skill and talent going into the
craft are on full display when one witnesses the amazing detail and
lifelike appearance of the natural plants and animals depicted.
(China.org.cn by Zhou Jing, May 9, 2007)
